Death Do Us Part - Wrapping Party (2)

So, WHEN is Jon gonna contact us & let us know what the heck he is doing with the movie???  How about a PARTY instead??? 

The Party Down Until... Death Do Us Part Wrapping Party will take place at Rhino Studios on Saturday April 23rd at 7pm.  You may bring any significant others, dependents or attachments with you (within reason).  Lets make sure to have some good clean fun!!  There is no cost for you- this is not a club- it is a film studio. LOL. So, keep that in mind.  We are not allowed to burn down the 600 block on Central Ave- so..... yeah.  We may bring drinks.  If there are any requests- please let me know.  No, not song requests- drink or food requests. LOL.

So, be ready to hang out & watch a behind the scenes video of Death Do Us Part!!!  Please confirm with me by phone, email or my facebook. 

Also, there may be peppery eggs for us on a first come first served basis. :)  Yayy!!!!!  Now THATS a party!!!

Jon

Why Liberty No. 5 Pictures?

Liberty is American & Filmmaking is American

What does Liberty No. 5 Pictures stand for?  What does the word "Liberty" and the "number 5" have to do with anything and especially filmmaking?  The simple answer?  Liberty No. 5 is a personal distillation and interpretation of some of the distinctly American things and filmmaking things that I love.  I love that filmmaking and America seem to go hand in hand... the production company logo itself is modeled after a gold American coin, a historically timeless symbol of value.  On this, the liberty torch, a symbol oft used in American symbology and in some other film production companies (especially in my favorite production logo title card, the Columbia Pictures 'torch lady' logo).  So, I chose Liberty No. 5 to be a strong, centrally placed, round metallic symbol, that also contains my personal philosophy of filmmaking and thrifty producing that i have learned through the years.  To me, it means something of "timeless American value."

The Nickelodeon

There is significance to both elements of the company's name, "liberty" and "no. 5".  Most of all, the logo encapsulates the primary meaning best... specifically, the old "American-style coin" logo is modeled after the early 20th century American Liberty Head "V" nickel.  This coin was used, beginning in 1905, as payment to watch some of the first short films ever made in the first effective film distribution model ever known, called the "Nickelodeons".  This industry was founded from these humble means, but grew to great heights very quickly and morphed into longer-format exhibition-style theaters as the early filmmakers like D.W. Griffith would move westward & would popularize feature length films.

Other Liberty Film Production Companies

There is also a great history of Film Production companies using the name "Liberty" in their title, the greatest of which is Frank Capra's "Liberty Films" of the late 40's and the most recent of which is Duncan Jones' "Liberty Films" currently in operation in the UK.  I intend to pay respect to these companies as well as the principles of my production company... but in addition, to the concept of freedom, from which we are given the right to make films and to speak freely about whatever matter we wish to speak about through our chosen form of speech.  I am grateful for the right & the freedom to speak but if I truly intend to honor that freedom, I recognize that I must use it responsibly.

Auteur Filmmaking & Artistic Freedom

Back to the primary element of  "liberty", we will have to take a trip through history.  First of all, Frank Capra's "Liberty Films" was intended to be an independent film production company, set up as an oasis, separate from the control of Hollywood power and away from so-called "executive power."  Frank Capra's philosophy on the matter was that the auteur filmmaker/or a strong Director/Producer and not the corporate, or executive-run film productions that Capra had known and we still know today, should override the latter on the decision-making process (as it comes to greenlighting-- and as it comes to any artistic decisions in filmmaking).

Capra's philosophy vs. mine

If we look closer, we can see the positive and negative parts of his philosophy.  For example, the greatest film that sprang from his company was "It's a Wonderful Life," although the film itself bankrupted the company.  It has also grown a legacy for itself, but at the time, it was difficult to outgrow Capra's incredible spending and failure to hedge his bets, which ruined the company.  Yet, as we can see today, it was a very significant film in its powerfully humanitarian themes, its sense of moral duty and in its sense of craft.  So, we can see that certain problems may bring about exceptions to Frank Capra's philosophy on individual artistic license and this detail may have actually cost Capra the future of his film company.  


Yes, as an artist the film speaks for itself as a work of beauty and genius.  Yet, we must learn that without maintaining financial stability, an artist cannot maintain his high quality of work, nor can he successfully secure his future.  My vision, then is to forge a compromise between the Producer/Executive's power and the Producer/Director's.  I have designed a corporate and executive structure that reflects this compromise, a structure that I call "In Touch & At Risk".  I will tell you about this in another post, but the important thing now is the relevance to the name and its calling us to remember not just freedom of speech but, also, of artistic freedom.

The 5th

The significance of the number 5 in Liberty No. 5 Pictures is for the most part about the nickelodeon.  But, there are some other curious connections with the number five. There are five human senses and the five human wits in Western philosophy and literature.  There are five fingers on the human hand, five limbs on the human body and the five elements in eastern philosophy, known as earth, water, fire, wind & void.  As it comes to running a film production company, there are five departments necessary in any efficient film production of any kind:  Camera, Sound, Art, Post-Production, & of course, the administrative or Above-the-line (which includes the Director, all Producers and the lead talent attached to the project).  The number 5 is significant in nature, in the sciences, the humanities and in it's historical significance. A film with this grounding can then not only take shape as a true work of art, but can also, grow, move and speak for itself as a living entity, adapting as necessary to the current situation and cultural context it finds itself.  And a film can be a force of nature, given the freedom to do so.

Force and Shape

I hope that, given the time for my vision to take shape, I can breathe life into many films that will give a much needed voice to untold and significant stories. Stories that desires to do more than speak... but to act.  To be something of value that can perpetuate continued learning for those who watch, for some decades in the future.  I wish to say that there are rules in the universe just as there are in the sciences, in mathematics and in religion. That there is a form to the universe and an absolute shape to the world we live in.  These truths are obvious for those who learn, but for the unteachable, there is art.


What I have learned as a writer is that given our recognition to the limitations we are presented with, we can make the best of what we have, instead of being stubborn children who proclaim, in complete ignorance, that we are kings of the universe.  Instead, we should first admit to ourselves that we are what we are... women and men... nothing more and nothing less. And we can not only live with that, but we can thrive in these limited conditions, happily.  Life is a series of challenges and for most of us, an unfair hand of cards are dealt us as human beings.  A well crafted story can enlighten many of us to these facts and can help us deal with these ignoble circumstances where other things will only fail to speak to us on any real level... this is especially true, the more commercial our art becomes.


But, more than so-called "card players", we are individuals... people who must learn to live with one another more nobly and more free.  Free to make mistakes, and free to succeed.  And free to speak our mind on any number of subjects in the interest of honest discussion and debate.  My opinion is that the films and the art that help us to think and to examine the real world around us more, even if on a subtle level, is worthy of much exploration and worthy of support, whether it be through our friendship or through our patronage.

Learning Lessons

When I was learning music in my twenties, I learned that there are rules, and very possibly from this there might even be the perfect pop song just waiting to be created if we were willing to learn the lessons necessary to create it.  In other sciences and arts the same thing is true, rules apply and we must gravitate to them and humble ourselves to them before we know how to work with them & befriend them.  This can only give us an advantage as compared to artists that do not know or acknowledge these rules.  I recognize filmmaking to be the same discipline of humility and growth within boundaries, within respect and within rational reason- not something to be constantly challenged or rebelled against- it is instead, a beautiful dance.  


And a dance is a constant adaptation to your own limitations in form- you go with your limitations- not against them, and you can find that doing unique things comes easier because you are a unique person and your expression within the discipline will always be unique, without fail.  Failure is simply listening to other artists as the authority instead of listening to the real limitations in form and in the filmmaking discipline.  And yet, I can always get back on the horse and learn the lesson.  


And I would hope that if I do fail as a filmmaker at first, you will continue to give me a try in the future because... I have simply fallen off of the horse, but, as I have to dust off and nurse a bruised rear end, hoping the skittish stallion has not lost confidence in me, all you need to do is... to simply put another nickel in the nickelodeon and watch a man's dreams take shape... into a beautiful dance of flickering light and form.  All I can say is, thank you for believing... and enjoy your movie.

Death Do Us Part - Wrapping Party/Post Production Phases

"Death Do Us Part" is wrapped and is doing very well, thanks to the very dedicated talent and crew that made this film possible.  Thank you all so much!  A Wrapping Party will be taking place in the next few weeks so we can say thank you more personally and invite you all to watch some of the film.  While a rough has not been entirely cut yet, due to other work commitments, our time off has been lots of fun with the little editing we have done so far!

New Developments: The Party will most likely be on Sat April 23rd at Rhino Film Studios from 7-10pm!!!  There will be some behind the scenes video shown at the Party!!!!  Come ready to have a good time!!!!  Peppery eggs will be served to all attendees!!!  (Just kidding!)

As it comes to our Post-Production phases- they will be somewhat typical as films go: a rough cut is done first and is now nearing completion, we will be working on some of the visual effects for certain scenes as well as putting the opening title/closing title sequence together during that time and I will be gathering music during this entire process as I am struck with inspiration and discover the right opportunities for licensing and scoring.  Then we will hopefully be locking everything down including all the pacing and all the extra sequences, of course much of this depends on getting the right music to help set the pacing if need be.  Sometimes the right song can effect a sequence and its pacing for the better, so I will be looking out for these happy occasions.  After getting picture lock we can start getting all the VFX solidified and the colorizing can be done and soon after that- voila!  We will have a film!  


But, again, I want to reiterate that we do not want to rush post-production because we realize it is REALLY about quality.  It is always a good reminder to keep the main thing the main thing in our filmmaking endeavors.  We are never guaranteed success for our hard work and we are never guaranteed any understanding from others or even from ourselves when we don't succeed for whatever reason.  We just need to keep remembering why we are doing it and learn to not lean so much on these "perfect" outcomes happening.  What I feel is, as long as we are working hard on our discipline, we are on the right path.  


So, thanks to so many of you who put the right foot forward & continued to give quality- not simply putting the days work in and going home.  You are on the right path my friends!  It'll be great to work with you again!!

Party time!! 
(More to come soon...)