Saturday, January 6, 2018

Low Budget/High Concept & the AFM Aftermath

Well, the AFM happened folks! It was an astounding success for us. But for some people, they might not see what I see. I made some great new friends, and got some great ideas & direction for our future. That's what I expected, and that's what I wanted. But I've known lots of people who have wished for and even expected a sale on their very FIRST VISIT. Which I find to be absolutely ridiculous. I've even seen the people who go to AFM without a finished film, which is probably the majority of filmmaker attendees, expect this. That's probably because they didn't do their research, or because they are being unrealistic about their product.

 
Let me give you a clue. The market doesn't care nearly as much about your product as you do. But what they can start to care about is you. YOU, the filmmaker. YOU, the human being. So, appeal to them on that level first. That's the first step. The next step is to learn how to sell or to find a sales producer to team up with. That's step two.

Well, that's what we did, and that's what we got. We met some amazing people. One of them lives close by, and we are now teaming up with him. His name is Terry Hopkins of Firestrike Productions, and he really impressed us. But there were also a handful of other friends we made from around the world. The guys from Badlands, Sean from Callumny Films, Travis from Cobalt, the team at Thriller, and to many more! Thank you to all of you I met with and to those who advised us on our films, and making better films for the market.

One thing I learned is that 'high concept' can be a good but also a bad thing. It's good to start with high concept, but never settle on it. We can do the best work as we never give up to what I call "the entropy of the high concept", but if we continue, instead, to fight for the greater complexity of characterization and the greater sophistication of plot and themes... in two words, we need "groundbreaking storytelling". Its true that Low Budget/High Concept is good. It makes selling to a market like AFM possible, but it's not by any means the end-all of storytelling.

 

So, to you, the reader, the fan, I have some great news! Liberty No. 5 Pictures has teamed up with Firestrike Productions to bring product to the AFM next year! So, that's our goal! More specifically, to have one or more projects in each stage of development by next year. A project being developed or written, a project in pre-production, a project in post-production, and a finished project seeking distribution. So, at least four projects that have great teams, and are building up to a great sale (or a few great sales) at AFM 2018. Here's what we are working on now.

1. Development on horror film, "The Demon's Head" in the Tampa Bay area.
2. Developing a Faith-based Musical inspired by the Biblical story of Job (with writer Preston Walden).
3. Developing a Halloween themed family thriller called "Let's Get Scary." Being developed with director/writer Nick Canning.
4. Developing a shark thriller film with director/producer Ryan Justice.
5. Developing a horror/thriller about the urban myth called Black Eyed Children, with producer John Borland.
6. Developing an action film about bounty-hunters with Joe Sanchez.
7. Developing a faith-based film with director Matthew Glover.
8. Developing an action comedy with Joel Wynkoop called "Battlesuit".

And now my personal projects...
9. My coming of age drama 'Floridiana' about skaters, abuse, & homelessness is in pre-production.
10. I am writing & developing a drama comedy set during Thanksgiving, and a fantasy adventure inspired by "A Pilgrim's Progress".
11. I am working to bring my short script "Something to Lose" to the screen.

I can't discuss too many specifics about most of these projects for good reason, but the ones that are personal projects are free game. Development can be a fragile time for teams. We don't want to expect too much at first. And we don't want to squelch the creativity too much by demanding a lot or thinking we know what the film is about too early on.

Knowing what a story is truly about is essential to bringing it to life effectively. And development is really about finding that out, and getting the pieces put together before we rush down a path that could actually dead end once we get to production, or get to post-production, or to market. It can get sidelined at any one of these steps if we don't really know our limits, and if we don't know if we can execute this with our limited resources.

We need more projects closer to post or to sale. But that's just where we are now. As soon as we get more successes we can start asking for funding in various places and know that we can get somewhere without having to self-fund or crowd-fund everything.



Low Budget/High Concept image by Mongrels, © Mongrels 2015 all rights reserved.

Friday, December 1, 2017

"Death Do Us Part" plays at Tampa Bay Underground Film Festival

My first little short "Death Do Us Part" will be playing at the Tampa Bay Underground Film Festival this December 2017. It was also submitted to a few other festivals, but once this film has been screened at TBUFF we are considering releasing it somewhere online. So, this will very likely be the last time you will be able to watch it on the big screen. Unless you mean the big flat screen in your living room that is.



My plan for Death Do Us Part was always to screen it locally so people could see it here, not just to dump it online. It seems an unceremonious insult to the film in my view to just put something online like that, because I always strive to make something more professional in the aims to make bigger, more expensive, more spectacle films. Because if you treat your film like every other home video made in America, it eventually gets treated that way by everyone else. But I also cant expect too much for my first short film. After all, it is one short out of a million. Ultimately it is one step of many in my film career.

Let me know if you want to see the film and give some advice or criticism. Or see it Sunday night at TBUFF, Britton Cinemas in S. Tampa during the Final Girl Short Horror Film Block from 9:20pm-11:20pm. See ya there!!! It will be playing right after Daryn Murphy's "The Apocalypse Needs Weirdos".

https://youtu.be/54WAR5WaFak

Monday, November 6, 2017

Liberty No. 5 Pictures at AFM 2017.



Hello to the Liberty fans! Liberty No. 5 and me, Jon Croft, will be attending AFM in Santa Monica for the first time in 2017. We are bringing a diverse selection of film projects with us, and we are very flexible with our product for the market's sake. Our objective is very clear. Not to sell but to find out WHO to sell to. This is even more important if you wish to establish a presence at AFM for years to come.

Since I got back into producing about six months ago, I have established numerous friendships with writers, directors, and fellow producers. Especially from the Tampa Bay area, which deals heavily in horror, action, and faith-based product, along with some drama. I have chosen to go with horror for now. But I am interested in the faith-based market, even if it is a tough nut to crack, because the market is quickly growing.

Here is my current slate.

1. The Demon's Head: (In Development) a Niche Horror Anthology with twelve directors and twelve 'beats' to one over-arching narrative. This project has been a ton of fun to develop, due to the nature of how we have structured our micro-budget anthology. $150-200k.

2. Floridiana: (In Pre-Production) a Niche Coming-of-Age Drama ready to go into production. Palo Alto meets Paranoid Park. We have started shooting a bit, but nothing on the feature. Only promo & marketing stills. But we plan on shooting a tone poem as a proof of concept, and a small promo trailer to raise awareness in the local community.  This project will probably resort to crowd-funding to continue building an audience, and to get the casting portion of pre-pro for this micro-budget going. $200-250k.

'Floridiana' one-sheet (front).

'Floridiana' one-sheet (back).


3. LockJaw: (Finished) a Niche Horror show about a murderous ventriloquist doll being shopped around by my friend, John Borland, and I. We are hoping to license this out by the end of this year, with the production company's approval.

4. Let's Get Scary: (In Development) a Family Thriller. Goosebumps meets Krampus. A fun-for-the-whole-family movie about being safe and healthy on Halloween. We are also developing a children's book to help promote the film. A budget conscious $5mil production. Thanks to Nick Canning on introducing this project to me!

5. Pilgrim: (In Development) a Fantasy Adventure Tale with family undertones.  Since this is a $20-25mil project with ambitions of blockbuster status, this project is being heavily developed to suit the marketplace. Particularly the Asian market. This means the culturally sensitive people will need to take a backseat on this one, and universal themes must enter the discussion. For a story made for the staunch Protestant in 15th century England in the source material, 'A Pilgrim's Progress', this will present a unique, yet rewarding, challenge.

'Pilgrim' one-sheet (front).

'Pilgrim' one-sheet (back).



6. Fear The Dark: (In Development) Written by Adam Minecci. A Paranormal Monster Horror set in the 80's & 90's. This will take some time to develop since its such a fun project. But it will also need to be a fairly high quality, $5mil mainstream horror, in the vein of Stranger Things, and The Conjuring.

7. They Had Black Eyes: (In Development) A Paranormal Horror set in small-town America. This story follows a myriad of victims who connect with each other while escaping monsters known in urban legend as "Black-Eyed Children" or "BEKs." $150k micro-budget to be shot as soon as some funds can be acquired.

8. The Family Fire: (In Development) a drama comedy short being developed into a feature, we are hoping to be shot after Foridiana. It follows a family who has a strong sense of nostalgia regarding their discussions over the fire pit. Breakups, comedy, and emotional catharsis ensue.


My true objective at AFM is to connect with people. I'm a creative strategic producer, so my objective will be different than many at this market. I'm not fooling myself into believing that people will be throwing money at us. AFM wants finished work. But the larger arc here is that a market is about relationships, and working towards common goals. So, I'm working at connecting on these common goals, and in the process finding out who I should bring my product to when completed.

Wish me and John luck!

Friday, May 12, 2017

The 2017 Summer Movie Wager

I'm participating again in the Summer Movie Wager, a contest to see who can pick the closest predictions for the summer season of Domestic Box Office winners, which occurs between May 1st and August 30th. This is just for fun for me this year. Not for money or for winnings. 

Ok. So without further adieu, here's my 2017 Summer Movie Wager predictions from top to bottom!

1. Despicable Me 3
2. Guardians of the Galaxy Vol 2
3. Transformers: The Last Knight
4. Cars 3
5. PotC: Dead Men Tell No Tales
6. Spider-Man: Homecoming
7. Wonder Woman
8. War for the Planet of the Apes
9. The Mummy
10. Valerian and tCoaTP

Dark Horses:
Dunkirk
The Dark Tower
Baywatch




Here’s how they score the wager:
  • Getting number 1 or number 10 dead-on gets you 13 points (each).
The rest of the scoring goes like this:
  • 10 points for numbers 2-9 dead-on
  • 7 points if your pick was only one spot away from where it ended up
  • 5 points if it was two spots away
  • 3 points if your pick is anywhere in the Top 10
  • 1 point for each dark horse that makes it into the Top 10
The scoring is tabulated so that you get the SINGLE HIGHEST point value for each pick- that is, if you get number ten right, you don’t get 13+3, you only get 13.

Last year, I got 46 points.
I got…
Two perfect 10 point scores in Suicide Squad & Ghostbusters=20 points. As well as 7 points each for Captain America: Civil War, The Secret Life of Pets & X-Men: Apocalypse (1 place away)=21 points. And lastly, 5 additional points for Finding Dory (2 places away)=5 points.

20+21+5=46 points. 

This is better than the year before, which was a deplorable 33 points, but not as good as my first year participating in 2014, which was 66 points! 

Hopefully I’ll do much better this year, even though it's hard to gauge how much the public will like the Superhero blockbusters this year, or the greying Pirates or Transformers franchises. Only time will tell..

Wanna participate? So what films are on YOUR list?


Update (as of July 18th):
Current List of Biggest Summer 2017 Movies by Domestic Box Office
1. Guardians of the Galaxy Vol 2 - $386mil
2. Wonder Woman - $381mil
3. Spider-Man Homecoming - $212mil
4. Despicable Me 3 - $191mil
5. Pirates of the Caribbean 5 - $170mil
6. Cars 3 - $140mil
7. Transformers 7 - $125mil
8. The Mummy - $79mil
9. Baby Driver - $74mil
10. Alien Covenant - $73mil

I expect Spider-Man: Homecoming, & Despicable Me 3 to continue to push upward, but not to overtake Wonder Woman or Guardians, and for
War for the Planet of the Apes to get into this list very soon. I also expect Dunkirk & Valerian to come onto this list as soon as they are released, and to continue to push The Mummy, Baby Driver & Alien Covenant off of this list. While I don't expect them to make a lot of money, though, since they will keep each other down with a similar viewing demographic. 

I can't know exactly how well these two new films that haven't been released yet will do, but I suspect that at least War for the Planet of the Apes should go much higher with great legs due to the good word of mouth (I'm expecting around $110mil). And I think a lot of the films that are currently under about the $70 mil mark will get pushed out entirely. And I expect Dunkirk & Valerian to get about $100 mil each. This leaves me with a new projection...

1. 
Wonder Woman - 3
2. Guardians of The Galaxy Vol 2 - 10
3. Spider-Man: Homecoming - 3
4. Despicable Me 3 - 3
5. Pirates of the Caribbean 5 - 10
6. Cars 3 - 5
7. Transformers: The Last Knight - 3
8. War for the Planet of the Apes - 10
9. Dunkirk - 1
10. Valerian and the CoaTP - 13

This means I would get about 61 points if I got Guardians, War, Valerian & Pirates dead on. Thats actually pretty great but it really depends on these four being exact.

I suppose we will see at the beginning of September, wont we? ;)

Wednesday, February 22, 2017

My 2017 Oscar Awards Predictions

Here comes the 89th Annual Academy Awards. Will there be less dumb jokes, less virtue signaling, and less inappropriate political posturing? You better bet your wagon there will be just the right amount of that nonsense. Which is right over the border into "Too Much". Will Hollywood continue to prove that they are still out of touch with the public? Of course they will. But we still enjoy all the awkward (often racist and sexist) attempts at humor, the paper-thin failed attempts at humility from even the best actors on the globe, and the 'almost-correct' awards for making well-crafted cinema. C 'est la vie!

So, BRING IT ON!






I will list the 2017 Nominations first, and then afterwards, give my predictions. I won't make a prediction for every category, but I will for most categories. So, here they are... the Nominees!



2017 Nominations



Best Picture:
Arrival
Fences
Hacksaw Ridge
Hell or High Water 
Hidden Figures
La La Land
Lion
Manchester by the Sea
Moonlight

Best Actor in a Leading Role:
Casey Affleck - Manchester by the Sea
Andrew Garfield - Hacksaw Ridge
Ryan Gosling - La La Land
Viggo Mortensen - Captain Fantastic
Denzel Washington - Fences

Best Actress in a Leading Role:
Isabella Hupert - Elle
Ruth Negga - Loving
Natalie Portman - Jackie
Emma Stone - La La Land
Meryl Streep - Florence Foster Jenkins

Best Actor in a Supporting Role:
Mahershala Ali - Moonlight
Jeff Bridges - Hell or High Water
Lucas Hedges - Manchester by the Sea
Dev Patel - Lion
Michael Shannon - Nocturnal Animals

Best Actress in a Supporting Role:
Viola Davis - Fences
Naomie Harris - Moonlight
Nicole Kidman - Lion
Octavia Spencer - Hidden Figures
Michelle Williams - Manchester by the Sea

Best Animated Feature:
Kubo and the Two Strings
Moana
My Life As A Zucchini
The Red Turtle
Zootopia

Best Cinematography:
Arrival
La La Land
Lion
Moonlight
Silence

Best Costume Design:
Allied
Fantastic Beasts and Where To Find Them
Florence Foster Jenkins
Jackie
La La Land

Best Directing:
Arrival
Hacksaw Ridge
La La Land
Manchester by the Sea
Moonlight

Best Documentary (Feature):
Fire At Sea
I Am Not Your Negro
Life, Animated
O.J.: Made In America
13th

Best Documentary (Short):
Extremis
4.1 Miles
Joe's Violin
Watani: My Homeland
The White Helmets

Best Film Editing:
Arrival
Hacksaw Ridge
Hell or High Water
La La Land
Moonlight

Best Foreign Language Film:
Land of Mine
A Man Called Ove
The Salesman
Tanna
Toni Erdman

Best Makeup & Hairstyling:
A Man Called Ove
Star Trek Beyond
Suicide Squad

Best Music (Original Score):
Jackie
La La Land
Lion
Moonlight
Passengers

Best Music (Original Song):
Audition (The Fools Who Dream) - La La Land
Can't Stop The Feeling - Trolls
City of Stars - La La Land
The Empty Chair - Jim: The James Foley Story
How Far I'll Go - Moana

Best Production Design:
Arrival
Fantastic Beasts and Where To Find Them
Hail, Caesar!
La La Land
Passengers

Best Short Film (Animated):
Blind Vaysha
Borrowed Time
Pear Cider & Cigarettes
Pearl 
Piper

Best Short Film (Live Action):
Ennemis Interieurs
La Femme et le TGV
Silent Nights
Sing
Timecode

Best Sound Editing:
Arrival
Deepwater Horizon
Hacksaw Ridge
La La Land
Sully

Best Sound Mixing:
Arrival
Hacksaw Ridge
La La Land
Rogue One: A Star Wars Story
13 Hours: The Secret Soldiers of Benghazi

Best Visual Effects:
Deepwater Horizon
Doctor Strange
The Jungle Book
Kubo and the Two Strings
Rogue One: A Star Wars Story

Best Writing (Adapted Screenplay):
Arrival
Fences
Hidden Figures
Lion
Moonlight

Best Writing (Original Screenplay):
Hell or High Water
La La Land
The Lobster
Manchester by the Sea
20th Century Women






Okay! Here it is! My predictions for the 2017 Academy Awards!...



My Predicted Winners for 2017:


Best Actor in a Leading Role:
Denzel Washington - Fences

Best Actress in a Leading Role:
Emma Stone - La La Land

Best Actor in a Supporting Role:
Dev Patel - Lion

Best Actress in a Supporting Role:
Viola Davis - Fences

Best Animated Feature:
Zootopia

Best Cinematography:
Arrival

Best Costume Design:
Jackie

Best Directing:
La La Land

Best Documentary (Feature):
I Am Not Your Negro

Best Film Editing:
Hacksaw Ridge

Best Foreign Language Film:
A Man Called Ove

Best Makeup & Hairstyling:
Suicide Squad

Best Music (Original Score):
La La Land

Best Music (Original Song):
City of Stars - La La Land

Best Production Design:
Arrival

Best Sound Editing:
Hacksaw Ridge

Best Sound Mixing:
La La Land

Best Visual Effects:
The Jungle Book

Best Writing (Adapted Screenplay):
Moonlight

Best Writing (Original Screenplay):
Manchester by the Sea



and last but not least...

Best Picture: 
La La Land






Let me know what your predictions will be before the event, and we can compare our scores! Happy Oscar Awards Night on Feb 26th Live at 7pm Eastern, 4pm Pacific on ABC!

Here is the link to the live feed which will only be active during the event. 

http://oscar.go.com/live

Thursday, December 29, 2016

Jon's Top Sixteen Films of 2016!

Finally! My top films of this terrible year that did away with so many of our talented celebrities! Suck it 2016! But you know what? We did have some pretty great films this year! So here they are!

Here are the Top Sixteen Films of 2016, according to me. No, I haven't seen every critically acclaimed film of this year. But I still maintain that watching a great number of films, as I do, is a must for me as a filmmaker. So, that's what I do. 

And my research wouldn't be complete without attending the Movie of the Month every month and watching additional films that inspire me and inform me on what good filmmaking looks like. Thank you to everyone who has participated in my film watching and filmmaking journey this year! Next year we have ever more film fun planned!

So without further delay, here's my Top 16 Films of 2016, along with films of merit!






1. Hacksaw Ridge






2. La La Land






3. Moana






4. Rogue One






5. Arrival






6. Captain America: Civil War






7. Fantastic Beasts and Where to Find Them






8. The Nice Guys






9. The Jungle Book






10. 10 Cloverfield Lane






11. Zootopia






12. Deadpool






13. Doctor Strange





14. Office Christmas Party






15. Finding Dory






16. Passengers






2016 Films of Merit
These films did well. But they didn't make the final cut.

Pete's Dragon, Deepwater Horizon, The Magnificent Seven, The Accountant, Midnight Special, Suicide Squad, The Neon Demon, The Girl on the Train, The BFG, Miss Peregrine's Home for Peculiar Children. 



Films I Still Haven't Seen From 2016, Darnit

I need to see these films. I want to see these films. Once I see these films it might change this list. But I still haven't seen these films yet.

Hell or High Water, Sing Street, Green Room, 
Kubo and the Two Strings, The Birth of a Nation, Manchester by the Sea, Nocturnal Animals, The Conjuring 2, Hunt for the Wilderpeople, Free State of Jones, Swiss Army Man, The Secret Life of Pets, Captain Fantastic, The Light Between Oceans, and American Honey.



Welp that's it 2016! Now it is time to make more films and watch more films in 2017! Have a happy, healthy New Year! And we will see you on the flipside!  :D

Wednesday, December 28, 2016

Davina Reid Cast in Lead Role for "Floridiana"

My first casting is a shoe-in. In fact, Davina Reid has been in mind from the very beginning of the writing process for "Floridiana". She helped inspire me to create the lead character "Terra", one of four characters that make Floridiana so powerful and personal for me.





Davina has a whole lotta credits and experience, not just in film but in theater as well. So, we are very honored to have her as the very first actor cast in the feature film "Floridiana". Thank you for your tirelessness and kindness to our little production!

Here are her IMDb credits.
Clown Demented (2010) - When I first worked with Davina
Reginald (2011)
Sleeping With Frank (2011)
Blonde's Girl's (2011)
Christmas Snow Angels (2011)
Mr. Engagement (2012)
The Eyes of God (2013)
Pawnz (2013)
The Bench (2015)
American Hostage (2015)
True Crime With Aphrodite Jones (TV) (2015)
Murder on Frog Pond Drive (2015)

The “Floridiana” Short (aka. To Make a Long Story Short)

Hello my long neglected Floridiana Fans!

Let not yourself be troubled, the film project is still chugging along. Not as quickly as I’d like, but it is what it is. And one of the larger parts of my goal-set on the way to making the Floridiana feature is coming to a head very soon... the Floridiana short film! 





“But I thought you were going to make a feature silly! Not a short!”

Yes, this is true. However, I’ve learned that in the indy filmmaking world, part of building support and finding the funding we need to make an acceptable feature is making a proof of concept (in the form of a short or a trailer) BEFORE shooting the feature. This CAN help build this kind of support you need and can make your quality soar much farther than what otherwise would be possible. Don't start worrying that this is me realizing I've bit off more than I can chew and I'm backtracking! By no means. I already knew I was way in over my head ages ago! LOL! I know that this is just part of the game as an indy filmmaker. There is however, tons to learn from this.

For example, I've seen lots of indy projects find Kickstarter funding 'finally', but only AFTER running many larger, failed campaigns which were too ambitious for their team to support. Either they didn’t have the fanbase, or the amount they were asking for seemed to be exorbitant or unreachable for some reason. So, what do they do? They ask for less. And eventually as they pare their budget down they finally get funding. But it's barely enough to make a passable film. 

The fact is films are incredibly expensive, that is, if you want to be in the ‘professional film market’. But in the indy market it can be extremely cheap. And unless you have the equipment already, or the cast and crew base already established who are willing to work for free, making this micro-budget film is near impossible. Because these films represent a commitment already made to invest thousands of your own dollars, as well as thousands of your own minutes, to a lifestyle or a side-business that is supported by other dollars, entirely independent of a film project’s dedicated investment funds. This is the only reason a micro-budget film of any consequence can be made… other dollars, such as investments in equipment, training, time, and human resources, are necessary, and often have already been made. Additionally, this, by itself, is no guarantee that this micro-budget film will have any sort of craft, talent, or sense of story embedded in the finished product. In fact, it is almost a sure thing that it will be devoid of it. Because good talent costs money. A sense of good craft takes time to develop. Costing months and often years of training and dedication. A good product will cost a great deal, no matter how you slice it.

So, how does one build an investor's confidence to take the plunge and invest in you, the filmmaker, to create a professional product? You must impress on them that you are a professional first. And the best way to do this is in the form of some high quality, professional product. Show them the good outcome. Show that proof that a high-quality, professional work can and will be created, and by doing so, show that if investment is made, an even better product can be produced as well. A short subject can accomplish this with a fraction of the cost of a feature.

And this model has already been followed numerous times. So, we can see that this is a common avenue by which directors and producers find more substantial funding. An example of this can be seen in this article here: http://bit.ly/2i9HoOX . And articles on shorts that have been or will be made into features are here: http://bit.ly/2huO2OJ & http://bit.ly/1gCRjD3 .

This is not a long shot. It's been happening for a long time in the film industry... 

To make “a long story short”: 1. Write the Feature, 2. Make a short, and then, 3. Make the Feature. 

So this is what I intend to do. I’ve clearly got the script finished already. But now I need to determine my plan to make, not just any random short, but a short film that exhibits the ‘proof of concept’ of the feature film idea very accurately. In other words, it gives a small taste of what the actual feature would look like, feel like, and be about. You can do this by making a traditional short, making a trailer, or making a proof of concept which contains the tone or showcases the main idea behind what inspires the feature film project. 

Is it the 'world-building', like a sci-fi/fantasy film might need? Or is it a new film production concept that inspires experimentation in the medium? Typically, though, a good feature isn’t formed around technical ideas. It’s formed around story and characters, just like any other successful feature film. Film investors know that their money will be best spent on good writing, huge talent, and competent directing, which will best help produce films with an emphasis on strong story and compelling characters, not on just new, fun ideas. But having both is definitely a plus. So, don’t leave out these new ideas. But, especially, don’t leave the story at home. Show it off as much as possible! But for now, do it in a short format. Get to the small grain of your idea and try to distill it into this short product.

So, for Floridiana, I will be writing, directing, and producing a trailer, and possibly an additional clip, showing an essential scene from the Floridiana feature script. The idea is to get the short to have the same tone, style, and quality I am aiming for for the feature film. If I can accomplish this, I just might have a chance to get this thing fully funded. And that would be an amazing feat! 

It would be an honor just to work on the short and clip with people. But to make the fully funded feature with my local filmmaking friends along-side would be just fantastic! In the very near future, I’ll be providing more details to get involved! 


Thanks for reading and being there for me! And soon, we might be on set really making stuff happen!!! Wish me luck!

Saturday, September 17, 2016

Jon's 20 Most Anticipated Films of 2017


Maybe I'm a bit early on this most anticipated list. Maybe its because September is a slow month for movies so I decided to get excited for what's coming soon!

So, what about next year??

Here is my list of my 20 most anticipated films of 2017...

1. Bade Runner 2049





2. Star Wars VIII





3. Guardians of the Galaxy: Vol 2





4. Ghost in the Shell





5. Alien: Covenant







6. Dunkirk





7. Valerian and the City of the Thousand Planets





8. Wonder Woman





9. Spider-Man: Homecoming





10. Logan




11. Thor Ragnarok





12. Beauty and the Beast




13. The LEGO Batman Movie




14. John Wick: Chapter 2





15. Annihilation






16. Coco



17. World War Z 2





18. Kong: Skull Island





19. Justice League Part 1





20. The Mummy