Top Ten Rated-Updated

This is my updated top ten list of favorite films...

Blade Runner (1)
Citizen Kane (2)
The Seven Samurai (3)
Star Wars (4)
Lord of the Rings (5)
The Maltese Falcon (6)
Alien (7)
The Empire Strikes Back (8)
Aliens (9)
Raiders of the Lost Ark (10)


Runner-up films (close but no cigar!):

12 Monkeys, 28 Weeks Later, 127 Hours, 2001: A Space Odyssey, Apocalypse Now, Back to the Future, Barton Fink, Brazil, The Breakfast Club, Brick, Casablanca, Casino Royale, Children of Men,  Cloverfield, Constantine, The Crow, The Dark Crystal, The Dark Knight, Dead Man, District 9, Donnie Darko, Double Indemnity, Dr. Strangelove, Duel, Dune, East of Eden, The Elephantman, The Empire of the Sun, Eraserhead, E.T.: The Extra-Terrestrial, Eternal Sunshine of the Spotless Mind, Europa, Fargo, Faust, The Fifth Element, Fight Club, Forrest Gump, The Fountain, Give 'Em Hell Malone, Gladiator, The Godfather, The Goonies, Gravity, Groundhog Day, Heat, Hedwig and the Angry Inch, Hot Fuzz, The Hurt Locker, I Heart Huckabees, The Incredibles, Inland Empire, Interview with a Vampire, James Bond Movies, James and the Giant Peach, Jaws, Joe Versus the Volcano, Kick-Ass, Kill Bill I-II, The Labyrinth, Laura, Lawrence of Arabia, Legends of the Fall, The Life Aquatic with Steve Zissou, Life of Pi, Lifeforce, Logan's Run, The Lost Boys, Lost Highway, Lost in Translation, The Machinist, Mad Max, Magnolia, The Man Who Knew Too Much, The Man Who Wasn't There, El Mariachi, The Matrix, Max Payne, Memento, Miller's Crossing, Minority Report, The Money Pit, Moon, Moulin Rogue!, Mulholland Dr, Napoleon Dynamite, The Never Ending Story, Never Let Me Go, Night of the Hunter, Night of the Living Dead, No Country For Old Men, No Way Out, North by Northwest, Nosferatu, Notorious, Once Upon A Time in the West, One Flew Over The Cuckoo's Nest, Pan's Labyrinth, Pandorum, The Petrified Forest, Pi, Primer, Princess Mononoke, Psycho, Pulp Fiction, Punch-Drunk Love, Raising Arizona, Rashomon, Rear Window, Rebecca, Rebel Without A Cause, Red Dawn (original), Renaissance, Reservoir Dogs, Return of the Jedi, The Road, Robin Hood: Prince of Thieves, (Baz Lehrmann's) Romeo + Juliet, The Royal Tenenbaums, Rushmore, Lu Samurai, Saving Private Ryan, Scott Pilgrim vs. the World, Shaun of the Dead, Signs, Silence of the Lambs, Sixth Sense, Skyfall, Sleepless in Seattle, Soilent Green, Spartacus, Spirited Away, Star Trek (J. J. Abram's), Star Trek: The Wrath of Khan, Sunshine, Superbad, Synecdoche New York, Taxi Driver, Tetro, There Will Be Blood, The Third Man, Time Bandits, The Treasure of the Sierra Madre, The Truman Show, Unbreakable, Up, Up In The Air, Upstream Color, The Usual Suspects, Vanilla Sky, Vertigo, The Watchmen, We Are The Strange, Where the Wild Things Are,   Wings of Desire, Yojimbo (really- all of Akira Kurosawa's work! In fact I personally believe Mr. Kurosawa to be the greatest director of all time).

Also: I like all James Bond movies (by the way, the Bond franchise and the 22 existing films in the catalog ARE IMHO the best, most successful franchise in movie history- something many people think belongs to other franchises they are enthusiastic about- but they are mistaken), I like Jim Carrey comedies, John Candy comedies, Danny Kaye comedies, Monty Python comedies, Leslie Nielsen comedies, Pink Panther comedies, ANYTHING with Humphrey Bogart, ... & i like some older 80's anime too but I'm not obsessive or a huge anime fan…  My favorite genres are epics, sci-fi, fantasy, action, adventure, some art house and supernatural realism movies.

"Filmmaking Hubs" Rated

A change from my former ratings of "film cities" has been warranted since I have to admit I have changed my philosophy on it. The economy has changed quite a bit and it warrants a proper reaction to the situation. I made a large study on different film communities but I have found because of these new factors this study is for the most part pointless. Not in the sense that it is useless information but in the sense that survival is the higher priority than pursuing some sort of utopian filmmaker's & animator's city. Instead, I will explain my change of thinking and then offer some new information.

My humble opinion is that an 'independent' filmmaker should do one of two things. (1) "Dig" into your (or your chosen) community and support it with your whole being until you know everyone & everyone knows you in order to become a permanent fixture no matter how bad the economy is. Or (2) become incredibly independent & mobile and travel wherever work takes you. Find your reliable mode of transportation and a very cheap place to live that you can return to easily and simply grow your funds while staying lean & mean. In your travels find the best locale to invest your business profits and in a few years upgrade either your business or home in that area.

That being said, there will still be film industry hubs that would be better to work at than others and knowing those film hubs would be important. So, I will indicate my preferred film hubs & will let you know why I prefer those over others. Also, I am no longer including animation hubs in my film study because usually those areas overlap with film hubs & where they dont overlap- there will not be enough animation jobs to justify calling it a "hub" at all which no longer makes it enough of an influential area if you really are making film or animation your career.


OK! I have 5 priorities in each of these film hubs. 'Cheap' being relative costs of property, taxes and standard of living as compared to other hubs. 'Industry' being the presence of Film Industry (Infrastructure, Studios, larger Production Companies, Union Jobs, large Film Festivals, big-budget filmmaking resources, Societies, Film Incentives, and a good Film Office). Some have strong animation and not strong film (or visa versa) which can bring down the score. 'Film Community' is the presence of a supportive local film community (such as a tight knit group of supportive fellow Indy Filmmakers, Film Societies, Film or Art Schools, independent film festivals, filmmaking services, Film Incentives favoring Independent Filmmakers, Community Theaters, Micro-Cinemas, Non-Profits, & possibly some local artistic organizations to help build a stronger art-centric or cinema-centric community). An Indy filmmaking spirit really helps here. Also, a right to work state is essential in fostering an indy filmmaking influence in the community. 'Livable' is like the 'comfort index' based on the measure of cosmopolitan, modern, convenient, diverse, and unique things to do in that community. A coffee house culture, walkability & bikeability helps here. Also, the uncomfortability of extreme weather can contribute to very 'unlivable' conditions. 'Family' is the sense of security a neighborhood has because of certain benefits present in that community. I get it from a combination of crime stats, local neighborhood morale, clean neighborhoods, sufficient government services and a neighborhood watch presence or something like it. I combined this rating with the formerly known 'Community' rating which was the sense that not only is crime low but the community is somewhat family friendly and has good schools to show for it. Parks and recreational areas or theme parks are a plus here as well. If you are having difficulty distinguishing between 'Livable' & 'Family' as they are both a sort of 'comfort' index... just think of 'Livable' as a good area for single, career types to live at and 'Family' as a good area for filmmakers with a family.

I have, of course, rated these based on what I know now from these communities.

The Film Hubs (1-10): 1st being good, & 10th being, well... 10th!

Priorities: | Cheap | Industry | Film Community | Livable | Family | Total |

1. NYC Film Hub- 2 - 10 - 10 - 9 - 3 - 34
2. Seattle/Vancouver/Portland Film Hub- 5 - 6 - 7 - 9 - 7 - 34
3. Florida Film Hub- 8 - 3 - 6 - 7 - 9 - 33
4. New England Film Hub- 6 - 7 - 7 - 7 - 6 - 33
5. Texas Film Hub- 7 - 7 - 7 - 5 - 6 - 32
6. Pittsburgh/Cleveland Film Hub- 5 - 5 - 7 - 5 - 7 - 29
7. Georgia Film Hub- 7 - 6 - 6 - 5 - 5 - 29
8. Michigan Film Hub- 5 - 6 - 5 - 4 - 9 - 29
9. Louisiana Film Hub- 6 - 7 - 6 - 5 - 5 - 29
10. Chicago/Milwaukee Film Hub- 2 - 8 - 4 - 7 - 6 - 27


I know- CA is not included... yea I have heard WAY too many horror stories about people 'trying to make it in Cali'... it is exactly NOT where to go to make waves. Its where to go if you are selling out so you can become famous- which is just the smoke being blown at you- don't be stupid- DON"T believe the hype! It is basically a recipe for heartache & a recipe for no artistic freedom or artistic integrity. On the other hand- once you make a good successful team & you can guide your own projects because you have bought your ticket with a good film that the industry respects- you probably could move there & it might even do you good to move there. A lot of successful filmmakers never move there though- they only visit to do business- and they are doing just fine!

About the decision to move or to collaborate, well, let's talk about it! Otherwise its not much of a collaboration, is it? None of this should be taken lightly because it is would be an expensive mistake right now to move to the wrong area. To be honest, like I said earlier, this is REALLY a personal decision... nothing more. It has to also be a win-win situation or I don't want to collaborate with anyone.

Thanx for reading!

Where have I been?

Ive been lost in a world of filmmaking! A world of my own creation! A world where people need to have confidentiality clauses in their contracts...

Yes, I haven't really been maintaining this blog very well! The LIBERTY No. 5 POST is supposed to be a massive part of my filmmaking research & discovery process into the world of "the Industry". But, since I was involved in making a feature earlier this year I stopped posting, not because I didn't have anything to say but because much of what I was thinking & talking about was basically intellectual property of the company that was formed to make the film I was working on. I also haven't posted very many pictures (of my experiences there) on the internet for the same reason. I have not been given free reign to post them officially, although I doubt anyone would dislike it that much-- it depends on who is using them & for what purpose (ie. do not post pictures on FB!!!). Protecting the production is always important. Anyways, back to the real post here...

I have kept the Liberty No. 5 blog alive (my personal producing/directing company is called "Liberty No. 5 Pictures" by the way) because there are so many great resources I've spent a lot of time gathering on here. Which reminds me, if you are looking for information on filmmaking subjects, etc... you should give some of the side links a gander. Many of them are great sources of info for filmmakers!

I will be posting more again very soon as I am now starting a new project... my own feature film... which isn't really my own (ha ha)!! I always find it interesting the obsessiveness people have about their 'favorite' Directors and that Director's artistry and 'ownership' of 'their' films. Knowing what I know, films are no more the producer's or director's work than the grip's or PA's work... but the Producers & Directors certainly take more risk & bear more responsibility than anyone else involved (to be specific, films are usually the Studio's, Distributor's or Private Investor's property speaking 'factually')... but that's besides the point here.

I have learned then, as it comes to the 'artistic ownership' which is what we are talking about here... that it is really the film's cast & the entire film crew (above & below the line) that makes a film's artistry what it is and that leads many times to a successful film or not. Also, the real ART that producers & directors have is to get the RIGHT cast & crew (and possibly, the right source of funding) together in the RIGHT way! Especially humble, trusted, professional sorts who work well under pressure... these are the sorts that seem to succeed! These are the one's I feel can take responsibility for their jobs & commit to learn & to practice professional arts without bringing in a bunch of drama or slackerdom to the set.

One thing I really dislike is when I see people passing the buck & gossiping about others. When things get rough during filmmaking, and they will... there is always something negative you can say about ANYONE. But film is such a personal face-to-face referrals-based business... one should really be careful what they say about anyone or anyone's production (unless you are a film reviewer or a journalist- then it is your job to do that- if done in a professional, non-slanderous fashion). You are messing with, potentially, someone's livelihood... their entire future- with blacklists & black marks- all of this is at risk on the tip of the tongue of one careless producer/director. But it isn't really a proper representation of that person... it was just something said in anger.

But these humble types... the ones you can trust... they do not pack ship & sail away... or betray those who have worked so hard with them. They can be trusted to help and not hinder the production because they are aware that so much is at stake. When you put your professional reputation on the line- my advice is... "know who it is you are working with... because they may be the last people you work with."

So, for the future... my next adventure appears to be getting the 'right sorts' together to really have an impact on the local film industry! So, stay tuned. There's more to come!

Happy Holidays to all my readers & Thank you!

Jon

Building the Florida Film Industry

Very simply we need to start building more infrastructure in Florida & continue to pay it forward to others who desire to help build the industry here as well... regardless of the fact that we can make more money elsewhere. A lot of people complain that productions here dont pay but this isnt a Florida problem it is an independent filmmaking problem due to high risk & lack of liquidity. It is a misunderstanding of where the money comes from & where it goes. Understandably, a union picture will pay more reliably & if you are union you will go where the money is because it is more of a career... but of course this leaves Florida in the same position. Also, indies can be skiddish about working with unions for the same lack of funding strength in Florida. But, of course, since the money isnt here as much as other places people leave... union or not. The unions just offer a different career path for filmmakers to continue growing no matter where you call home.

Injecting temporary funds (like incentives almost always do) represents a temporary injection in the business here. Once the incentives change, stop, or become politicized, the industry will once again revert to a state of inactivity. This is not my objective, nor should it be any of ours who are in Florida & who care about Florida as a state in which we can continue to do business. There is nothing 'bad' about going where the money is- we have to struggle to build our careers- but inevitably it means we're still left with the situation we have here in Florida... not enough reason to consistently stay in Florida.

My solution for Florida includes something for filmmakers & the state to participate in. For film producers... there needs to be a project or a studio (multiple ones really) that builds up Florida as a place to film by actually "making money"... getting good publicity (making Florida look good, not just on screen) and putting the profits back into the infrastructure here. It will need to be well produced & well promoted for this reason... and leaving the project to others outside of Florida afterward should not be done (like many other projects such as the Punisher was done). We should never cut & run if we hope to build something lasting... something that eventually pays to keep here because it pays for us to stay here.

As it comes to the Film Office... I think building a static project in Florida (such as a Studio funded primarily but temporarily by the state, which helps train independent filmmakers) would definitely bring productions to the local economy for an indefinite period of time, even after it changes hands to private industry. A Studio not only represents the greatest potential to maintain profits for the long run, but it represents local growth specifically.

New Mexico and Boston is an example of this. But, New Mexico, I believe, has not just created a studio but has also created strong incentives... so we have a specific case study to build from.

Of course, the competition for which metro area in Florida to break ground it could be INCREDIBLY fierce... it would have to be fairly planned out & would have to represent a long term commitment on the part of a substantial statewide grassroots effort. Possibly multiple studios could spring forth from this great commitment.

I think three locations have maximum potential... Orlando, Tampa Bay, & Miami are growing most consistently... and building studios in that order would be the best I think. I have to say though, Lakeland might help cover both Orlando & Tampa Bay areas if a multi-studio long term commitment cannot be created. Also, if this combination of forces creates a chain reaction of dual efforts... it will help build & spread out more business throughout Central Florida.

Also, the film commissioners need to modify & combine their efforts. They should team up & help put more Florida product out at film markets as opposed to just the fun fests out there... because Markets are really where the money is at. Attending just festivals out of state doesn't necessarily help bring money to Florida... but attending the AFM or Toronto's Market or Cannes' Market or Hong Kong's Market might. We as citizens are just paying them to be over-glorified travel agents it appears. It has nothing to do with the Film Industry. Just redirect money into Travel & Tourism instead of paying them to attend fun festivals to learn about event production... which also has nothing to do with the industry!

I think the citizens need to do more than the state though. The economy is lagging & I want our state to stay "in the black"! Keep building & growing you Florida filmmakers! Every bit of business growth by actually making great movies helps the entire economy!

Jon

The end of the Tampa Film Review & the beginning of something new in Tampa Bay

Having attended the last Tampa Film Review & working with Dan Brienza & the Guzzo's to try & move the Tampa Film Review to another location has left me empty. I saw the press & their concerns & I saw the need for a film screening venue go unheeded by many people. I have met with quite a few people regarding getting a venue & filling the gap left by the TFR to have a screening in the Tampa area. I have to admit I was discouraged.

Then, when I attended the Pinellas Filmmaker's Society on January 13th, Pete Bradshaw had the same concern for our area but it was a very different meeting this time. In one meeting we made a new name for the film society, found a new venue, built a new film-related social networking site and created a new change of course for the entire group. Now they are called the Tampa Bay Film Society and they are meeting at Coconut's Comedy Club in Clearwater on Friday February the 13th at 8pm to start new screenings. A new determination to do more screenings & invite people to network on the internet has been a refreshing new course! The site is called FILM & I hope the group grows & remains an influential part of the film industry in the Tampa Bay area for years to come.

There is also some good growth being experienced by the former St. Pete Creative Network... now the Tampa Bay Creative Network. In fact there are rumors that Film Forum group on the page might even start their own screenings as well.

As it comes to the group in Tampa... things are not over however. There were plenty of fears that no one would be able to fill the shoes that Pete & Paul Guzzo were leaving open for someone to walk in but Dan Brienza has been working tirelessly & faithfully to effect the film industry in Tampa for some time now. Now he has decided to take up the challenge to do even more...

Amazingly, even with his Weekend Film Crew Productions, his Tampa Weekend Film School classes, his Tampa Bay Film Industry & Actors Network & his Film Crew Cafe website... he is not overburdened! The once defunct Tampa Film Network has now ok'ed a transition for Dan to take over this network & merge it with the Tampa Bay Film Industry & Actors Network & the Film Crew Cafe... calling it the Tampa Film Network. And finally the Guzzo's Tampa Film Review will also be taken over by Dan, who will attempt to keep it screening with the same name!

Dan will continue to have classes under the Tampa Weekend Film School & he will run this network in Tampa and do screenings. All he needs now is a venue in Tampa to help sponsor his efforts! If anyone has any leads-- please email me! libertynumber5@gmail.com

So to sum it up- I am amazed at the Tampa Bay area filmmakers... we are doing more & spreading like a wildfire to build the industry here! I just hope that in March the Film Office in Tallahassee sees our solid resolve & does what it can (without going in the red) to assist our film community responsibly! I guess we'll see if there is more good news to come very soon!

Cinematography Class with Erik Curtis

Our wonderfully talented friend, DP Erik Curtis, who was extremely busy during this last movie he was shooting (known as The Chaos Experiment with Val Kilmer) finally arrived back in Tampa for the much anticipated Cinematography class for the Tampa Weekend Film School. The event was sponsered by Kodak & we were going to be 'having school' in ValComm/Chameleon Filmworks Studios in Clearwater and we were going to be using Panavision with (of course) Kodak high grade film. There were about 20-30 students and about 15 crew including Erik Curtis & Pete Guzzo (acting as Director) & while we were training loading film, dolly gripping & using the camera we were going to be shooting a PSA for a benefit to raise money by bicycling for a cause. There was another Director working with us as well (who I really liked) but I didn't really get his name. We shot HD alongside and got to compare between the two on the $30k monitors. Of course, the processing of the film will have to take place in the next week or two & Erik has informed us that we will be going on a trip to the Lab... Continental Labs in Orlando! It should be very informational & a lot of fun! I will learn a great deal I'm sure! I think that as film goes out of style... it will become cheaper, but also the skill set will be harder to come by... this experience will become a valuable one!

I have to say, that Erik was one of the nicest, coolest & most accessible DP's I've met & I was VERY honored to work with him, even a little bit. I LOVED pulling focus for the last second of film in the camera! Go out with a bang, baby!! This has been the favorite of my film school experiences so far!

Dinner with Joe Davison

In anticipation of Director of Photography Erik Curtis (who had just finished production in Michigan on The Chaos Experiment with Val Kilmer), we had planned a dinner to talk about our upcoming Tampa Weekend Film School Cinematography class! What ended up happening instead was an unexpected rare treat!

Instead of Erik Curtis, we got to eat dinner with horror movie writer/actor/producer/director Joe Davison from the movie 100 Tears. Joe turns out to be an awesome guy who schooled us on a lot of misconceptions in the film industry & his experiences. We really had a great time & I think we have formed a long-time bond with Joe... so much so that near the end of our dinner, we brain stormed about some story ideas that we would like to do before Halloween & now we have planned a shoot date & set locations & everything for a three part YouTube video release starring Joe! Sounds like indy heaven! We did miss Erik but we know that he was very busy... After a tough shoot its good to take a break from all the stress & I do hope Erik got to do that!

The State of the Film & Entertainment Industry Summit

On October 9th, the "State of the Film & Entertainment Industry Summit" took place in St. Petersburg, FL. to address the sad situation of the film & entertainment industries in Florida. Most states in our country have gone to some lengths to engage in a healthy competition to court the film industry to continue shooting & doing projects in their states (of course except for a few, one, namely being Florida). The lame incentives Florida offers are kind of like an insult to the industry almost to the point that they are 'asking' productions to leave the state. I really don't understand the logic in it whatsoever but the politicians that headed the 'summit' (as they called it) didn't really offer any solutions except to help them do their jobs & to keep doing more work for them.

I have to say, if I am going to have to do something & if what I do is successful, why do I need these people to speak for us filmmakers in Florida? They are proving to us all that they are not doing their jobs by putting on the farcical show they staged. It ended up being a forum for us to all complain about the fact that the capitol in Tallahassee is doing 'nothing' to help us poor, innocent filmmakers & videographers... blah, blah. Once again a waste of our efforts on politicians to save us.

I don't care for their efforts & I don't expect anyone to do anything to help me, I simply don't want anyone to get in my way to create as an artist. If at least, the state & local governments were offering a policy to help with permits, security & insurance it would make creating easier. I'm not asking for money for myself, I'm asking for these bureaucracies to fast-track some of the processes we have to wade through because we are doing things up-front & in cooperation with these governments. Plus I think it contributes to our tradition in Florida to have smaller government. Taxes could be waived as well possibly... who knows? There are actually so many ways that the state could help (without having to put up any funds whatsoever) that it is almost shocking to see so little action on their part. Which, again, makes it look like they are actually asking for production companies to leave Florida!

Once again, government saves mankind! Well... with some reservations. So, the plan is for us to go to Tally & once again, not be heard. :-\

Our Non-Profit P.S.A.'s

Training at the Tampa Weekend Film School (in Association with the Weekend Film Crew created by Daniel Brienza) has been steadily increasing with our 'Non-Profit PSA Project' we have embarked upon. The project entails finding organizations that might be able to use the help that a Public Service Announcement might give them, in order for our group to practice making small projects (like commercials) and then to continue on to making shorts or films as time goes on & we gather more knowledge & experience.

The first we did about three months ago was for a non-profit organization called "Connected by 25" which helps foster kids who graduate out of the foster care system. Many times, these young adults find themselves cut off from any meaningful help or any support system they may be used to having when they leave their foster home. This organization seeks to help re-establish the support system these kids need so desperately. Dan Brienza Directed, DP'ed & is editing it currently. I Produced. Chris Gayle AD'ed, Cheryl Williams was the Casting Director & we had a few really great actors!

The second one we have been working on is going to be completely created with V.O.'s, Final Cut & After Effects, etc. and the third we are going to be doing is still yet to be determined. So far it has been successful & a lot of fun... we just have to do the editing... :)

Editing Class with Rebecca Croft

About two months ago (I neglected to post it then), we at the Tampa Weekend Film School had a great time putting on the last editing workshop with Rebecca Croft on Final Cut Pro. Rebecca has been editing in Final Cut for the last 8 years but before this event, she had never trained anyone to edit (except for me) and she found it difficult to imagine teaching others at first. But, she did an awesome job and everyone seemed pleased with all the very detailed bits of knowledge she imparted to the 10-12 or so students that attended.

I really hope we continue to do events like this in the future. It was very practical & informative for everyone involved! Thank you Rebecca! :)